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Michael Dauth (Germany/Australia)
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| Photo: Sydney Symphony |
Michael Dauth was invited to lead the Berlin Philharmonic Octet, Berlin Piano Trio and Chamber Virtuosi. In 1988 he moved to Australia, initially as Concertmaster of the Melbourne Symphony Orchestra then Co-Concertmaster of the Sydney Symphony Orchestra and was a founding member, Special Concertmaster and Artistic Director of the Orchestra Ensemble Kanazawa, Japan, a position he still holds today.
Michael Dauth has appeared as a soloist with major orchestras in Japan, Australia, New Zealand and Europe. His array of chamber music partners includes Wenzel Fuchs, Pavel Gillilov, Phillip Moll, Karl Leister, Gerhard Oppitz, Leif Ove Andsnes, Cyprien Katsaris, Hiroku Nakamura, Vadim Sakarov, Geoffrey Tozer and Piers Lane, and he has appeared at all the major festivals including Salzburg, Lucerne, Berlin and Tokyo.
His recordings include the Beethoven, Tchaikovsky and Mendelssohn violin concertos, Beethoven Romances, works by Saint-Saëns, Massenet, Kreisler and Drdla, Schnittke’s Concerto Grosso (which received the Deutsche Grammophon prize in Japan) and the world premiere recording of Takemitsu’s Nostalghia. An all-Johann Strauss recording featuring Michael Dauth directing the Orchestra Ensemble Kanazawa and a recording of the Mozart and Brahms Clarinet Quintets with his Japan-based Sunrise String Quartet and Wenzel Fuchs were released in 2003.
Michael Dauth is frequently a guest professor and a juror at international violin competitions. In 2003 he received the Centenary medal awarded by the Governor-General for service to Australian society and the advancement of music.
LEARN MORE ABOUT MICHAEL DAUTH @ SYDNEY SYMPHONY.
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| Photo: Supplied |
“Boris Garlitsky is an extremely lively musician of high intelligence and flexibility, with a wonderfully round tone and solid reliable technique … Concert Master of the London Philharmonic Orchestra, Mr. Garlitsky measures up to every Concert Master of the world’s top orchestras, such as New York, Vienna, Berlin etc., and can play an outstanding role in all leading international orchestras.”
These are the words of Kurt Masur, one of the greatest conductors of the 20th century, with whom Boris Garlitsky worked together throughout many years. And still, Mr. Masur’s words grasp but a part of Boris Garlitsky’s musical richness.
In 1982, Boris Garlitsky won the Italian Paganini Competition and began his career as a soloist. Since then, he has played, among others, with the London Philharmonic Orchestra, the Vienna Radio Orchestra, the Chamber Orchestra of Philadelphia (with Ignat Solzhenitsyn conducting) as well as the Milan based Giuseppe Verdi Orchestra and the British Orchestra of the Age of Enlightenment. His interpretations of Shostakovich’s violin concerto with the Orchestre National de Lyon were praised in the press. “The intensity and irresistible force of persuasion brought to it by all the skill of Boris Garlitsky was worthy of the work’s first interpreter, David Oistrakh”, the Lyon Figaro commented.
Mr. Garlitsky is an active participator in several international music festivals. He regularly takes part in the Pablo Casals Festival in France, Mostly Mozart in New York, the London Proms, the Schleswig-Holstein Music Festival and Gidon Kremer’s Chamber Music Festival at Lockenhaus in Austria. Also, Mr Garlitsky performs for the BBC, Radio France as well as a number of radio stations in Italy, Russia and the United States. He has recorded for RCA, Naxos, Chandos and Polymnie.
“Boris Garlitsky was a worthy partner of Anne-Sophie Mutter in Bach’s double concerto, performed together with the London Philharmonic… Let us concentrate on the gigantic chaconne from the partita in d minor for violin solo: Mr. Garlitsky’s interpretation as such made this a concert of outstanding class. Highly differentiated and uniquely colourful in play, Mr. Garlitsky’s brilliant intellectual understanding of the piece and expressive characterisation of the individual variations reflected the authenticity and individual depth of the artist’s Bach interpretation” (Dr. Karl Georg Berg).
Garlitsky is an outstanding chamber musician and member of the Hermitage String Trio (Boris Garlitsky, Alexander Zemtsov and Leonid Gorokhov), praised right and left in critical reviews: “… undoubtedly one of finest of its type, with discipline and musicianship second to none” (www.classicalsource.com); “true brilliance! This ensemble will do much to put more string trio repertoire on the musical map” (Strad); “with virtuosic elegance and, above all, affection” (Hexham and District Music Society); “that gentle exaltation of chamber music which passes by the dramatic gestures of symphonic music but rather expresses intimate and the profound, which goes straight to the heart and transports you to a dream” (Nice Matin).
Mr. Garlitsky’s repertoire is amazingly rich. Among his partners are Pinchas Zuckerman, Gidon Kremer, Marta Argerich, Anne-Sophie Mutter, Vadim Repin, Truls Mork, Maria-Joao Pires. Last but not least, Mr. Garlitsky is so popular among his colleagues due to his amiable character. “Garlitsky’s charisma is glaringly obvious. And how! A first violin of such imposing presence is a blessing for any ensemble” (La Montagne).
Born in Russia, Mr. Garlitsky received his first music lessons from his father, the author of the standard textbook for young violinists Step by Step. He studied with Profesor Yankelevich at the Moscow Conservatory, and afterwards worked as the Concertmaster for the Moscow Virtuosi and the London Symphony Orchestra, the Covent Garden Opera, the Vienna ORF Orchestra, the Hamburg Philharmonic and many more.
Today, Mr. Garlitsky devotes a large amount of his time to education. He holds a chair at two outstanding music Institutes, the Conservatoire National Supérieur de Paris and the Hochschule fuer Musik und Theater Hamburg. In addition, Mr. Garlitsky offers master classes on a yearly basis. In April 2010, Mr. Garlitsky will be giving classes at the Curtis Institute in Philadelphia and the Peabody in Baltimore.
“He is also very successful as a teacher and his instruction would be an enrichment for any musical institution, be it orchestra or music academy. His knowledge, his energy, his honesty and his ability to connect with people and create harmony are in my opinion the quintessence of why he can serve as a role model and ‘leading light’ for the young generation.” (Kurt Masur)
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| Photo: Christian Steiner |
An experienced and versatile musician, Mark Kaplan never fails to engage audiences with his captivating performances. His European career began in 1975 when he was asked to replace Pinchas Zukerman in a concert conducted by Lawrence Foster in Cologne. This quickly led to engagements with the Berlin Philharmonic and the New York Philharmonic with Klaus Tennstedt which launched his international career.
He has subsequently performed in all the principal European cities as well as the Far East and Australia, and has collaborated with many of the world’s foremost conductors, among them Tennstedt, Maazel, Masur, Ormandy, Dutoit, Bychkov, Comissiona, Conlon, Foster, Rattle, Salonen, Skrowaczewski, Slatkin, Gatti and Zinman.
In the USA he has played with most of the major orchestras including the New York and Los Angeles Philharmonic Orchestras, the Cleveland and Philadelphia Orchestras, the National Symphony Orchestra of Washington, and the symphony orchestras of St. Louis, Pittsburgh, Baltimore, Minnesota, Cincinnati, Dallas and Houston. He has appeared regularly at major summer festivals such as Aspen, Blossom, Ravinia and Santa Fe.
Mark Kaplan’s repertoire stretches from the baroque to the present day. His recitals regularly include works by Bach, Beethoven and Brahms but at the same time he remains strongly committed to contemporary music. He gave the European premiere of Marc Neikrug’s Violin Concerto in 1985 with the Hallé Orchestra and in 1995 he played the Elliott Carter Violin Concerto in Paris with the Orchestre Philharmonique de Radio France conducted by David Robertson. More recently he performed the John Adams Violin Concerto with the Malmo Symphony Orchestra, the Ligeti Violin Concerto with the RAI Orchestra in Turin and recorded Nono Varianti for Violin and Orchestra with the Sinfonieorchester Basel.
Mark Kaplan’s first concerto recording of Paganini and Wieniawski violin concertos with the London Symphony Orchestra received impressive reviews both in the UK and abroad. His numerous subsequent recordings include works by Schubert for violin and piano, Schumann sonatas, solo works of Sarasate, Bartók Violin Concerto No 2, Dohnanyi Violin Concerto No 2, Lalo Symphonie Espagnole and the Berg and Stravinsky Violin Concertos recorded with the Budapest Festival Orchesta. His most recent release is Le Ménétrier for Violin and Orchestra by Max d’Ollone with the Orquestra Simfonica de Barcelona conducted by Lawrence Foster.
A dedicated chamber musician, Kaplan formed the piano trio, Sequenza with pianist Yael Weiss and cellist Clancy Newman. September 2003 saw their European Festival debut in a performance of the Beethoven Triple Concerto at the Prague Autumn Festival with the Prague Chamber Orchestra which was followed by performances in Edinburgh and Oxford as well as across America. In February 2006 they made their Wigmore Hall debut in a tour which also included their Spanish debut in Santander.
Recently, Mark Kaplan enjoyed great successes with the Queensland Orchestra (Mozart), Auckland Philharmonia (Bartók) and Orchestra of Valencia (Glass). Other highlights include performances with the Royal Philharmonic Orchestra conducted by Slatkin (Elgar), Netherlands Radio Philharmonic (Korngold), Aspen Festival Orchestra conducted by Zinman (Bartók), Orchestre National de Bordeaux with Gunther Herbig (Stravinsky), Orchestre National de Lyon with Cambreling, Rundfunk Sinfonieorchester Berlin (Bartók), Orquesta Sinfonica de RTVE in Madrid (Walton), Budapest Festival Orchestra under Ivan Fischer (Bartók), Malaysian Philharmonic Orchestra (Dohnanyi), Ulster Orchestra (Barber) and Saarlandischer Rundfunk-Sinfonieorchester in Saarbrucken conducted by Thierry Fischer.
Mark Kaplan plays a violin made by Antonio Stradivari in 1685 - named The Marquis after the Marchese Spinola, whose family owned the violin for several generations.
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| Photo: Paul Body |
Violinist Cho-Liang Lin, is lauded the world over for the eloquence of his playing and for the superb musicianship that marks his performances. In a concert career spanning the globe for thirty years, he is equally at home with orchestra, in recital, playing chamber music, as in a teaching studio.
Mr. Lin’s recent and upcoming concerts reflect his wide-ranging musical activities. Performing on several continents, he appears as soloist with orchestras such as Dallas Symphony, Toronto Symphony, Houston Symphony, Los Angeles Chamber Orchestra and overseas with the Bergen Philharmonic, Stockholm Philharmonic, New Zealand Symphony, English Chamber Orchestra and Singapore Symphony. An avid chamber musician, the 2009/10 season includes chamber concerts at the Beijing Music Festival, as well as his perennial appearances performing at the Chamber Music Society of Lincoln Center. As an advocate for music or our time Mr. Lin has enjoyed collaborations and premieres with composers such as Joel Hoffman, John Harbison, Christopher Rouse,, Esa-Pekka Salonen, Paul Schoenfield, Bright Sheng, and Joan Tower. Most recently, Mr. Lin presented the European and American premieres of Tangos Concertantes, a concerto by Hollywood icon, Lalo Schifrin. In the 2009/10 season, he will give the world premiere of Tan Dun's Violin Concerto as a part of Carnegie Hall's China Festival.
As Music Director of La Jolla Music Society’s SummerFest since 2001, Mr. Lin has helped develop a festival that once focused primarily on chamber music into a multidiscipline festival featuring dance, jazz and a burgeoning new music program commissioning composers as diverse as Chick Corea, Stewart Copeland, Leon Kirchner, Christopher Rouse, Wayne Shorter, Kaija Saariaho and Gunther Schuller.
Cho-Liang Lin’s extensive discography includes recordings for Sony Classical, Decca, Ondine, Naxos and BIS. His albums have won such awards as Gramophone’s Record of the Year, as well as two Grammy Award nominations. His recordings reflect the breadth of his distinctive career including the standard violin concerti from Mozart to Stravinsky, chamber music from Brahms to Ravel and contemporary music from Chen Yi to Christopher Rouse. His most recent releases include Vivaldi’s Four Seasons with Sejong and Anthony Newman, violin works of Bright Sheng and Gordon Chin on Naxos, and the First Violin Concerto by George Tsontakis on Koch.
Born in Taiwan in 1960, Cho-Liang Lin began his violin lessons when he was 5 years old with Sylvia Lee. At the age of 12, he went to Sydney to continue his musical studies with Robert Pikler. Inspired by an encounter with Itzhak Perlman while in Sydney, he traveled to New York in 1975 to audition for Perlman’s teacher, the late Dorothy DeLay, at the Juilliard School. He was to study with Miss DeLay for six years. At the age of nineteen Mr. Lin made his New York debut at the Mostly Mozart Festival and soon thereafter with the New York Philharmonic and his concert career was launched. In 2000 Musical America named Mr. Lin its Instrumentalist of the Year. He was invited to join the faculty of the Juilliard School in 1991. More recently he was appointed professor of violin at Rice University’s Shepherd School of Music. He plays the 1715 "Titian" Stradivarius.
Further support for Mr Lin’s activities in New Zealand comes from Asia NZ Foundation.
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In 2008, Tasmin Little was the subject of a television documentary by the prestigious South Bank Show, which followed her ground-breaking project The Naked Violin.
This ambitious project, which boldly embraced the internet and offered up a free downloadable recital of works for solo violin, achieved phenomenal success after its release in 2008 and was widely hailed as 'revolutionary' and 'inspiring'. It included an on-going series of workshops and concerts around the UK, and created an extraordinary volume of media interest in newspapers, on television, radio and the internet. Within days of the release of The Naked Violin there were over 6000 international websites linked to Tasmin's site, all talking about the pioneering aspect of the download and her ability to promote the value of music to all corners of society. Tasmin received the 2008 Classic FM Gramophone Award for Audience Innovation for this project at the Dochester, London, on September 25th 2008.
Tasmin has played with many of the world's greatest orchestras in a career that has taken her to every continent of the world. In addition to her regular solo performances, she has play/directed orchestras such as Royal Philharmonic, Seattle Symphony, London Mozart Players, English Chamber Orchestra, Norwegian Chamber, European Union Chamber Orchestra and Britten Sinfonia. In 2007/08 she joined the London Mozart Players as soloist and director in a tour of the UK which also featured her UK conducting debut.
As a concerto player, Tasmin's performances in the 2009/10 season took her back to the Concertgebouw in Amsterdam where she gave the World Premiere of a violin concerto by Willem Jeths. She returns to the Concertgebouw twice in the 2010/11 Season to perform violin concerti by Loevendie and Prokofiev. Other performances in 2010/11 include concerts in Australia, New Zealand and Slovenia as well as a Festival at Kings Place, London, entitled "Music Through Time".
In 2008, Tasmin made her fifteenth appearance at the BBC Promenade Concerts in a performance of the Concerto for Violin and Horn by Dame Ethyl Smyth. She continues to champion seldom-performed repertoire, and has received critical acclaim as one of the few violinists to have mastered Ligeti's challenging violin concerto. Her 2003 tour with the Berlin Philharmonic and Sir Simon Rattle, during which she performed the concerto at the Proms, Berlin Philharmonie, the Salzburg Festival, New York's Carnegie Hall and Philadelphia's Kimmel Center, received unanimous critical acclaim ('the technical command was glorious' The Guardian; 'very beautiful' Berliner Morgenpost; 'a major violin talent' Philadelphia Inquirer; 'a formidable soloist' New York Times). In 2007 she returned to the work with the Gothenburg Symphony Orchestra and at the Concertgebouw, Amsterdam.
In 2006, Tasmin was Artistic Director of her hugely successful 'Delius Inspired' Festival, which was broadcast for an entire week on BBC Radio 3 in July. An exciting range of events, ranging from orchestral concerts and chamber music to films and exhibitions, also reached 800 school children in an ambitious programme designed to widen interest in classical music for young people. She was Artistic Director of Spring Sounds Festival from 2008 until 2010.
Her discography reflects her wide-ranging repertoire and includes twenty-three recordings, ranging from Bruch and Brahms to Karlowicz and Arvo Pärt. In March 2009 she released the disc 'Partners in Time', her follow-up to The Naked Violin, and Autumn 2010 sees the release of a major new recording with Chandos of the Elgar violin concerto including a re-creation of a special version of the accompanied cadenza.
Tasmin is an Ambassador for The Prince’s Foundation for Children and the Arts, is a Fellow of the Guildhall of Music and Drama, and has received Honorary Degrees from the Universities of Bradford, Leicester, Hertfordshire and City of London.
She plays a 1757 Guadagnini violin and has, on kind loan from the Royal Academy of Music, the 'Regent' Stradivarius of 1708.
Vesa-Matti Leppänen (Finland/NZ)
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| Photo: New Zealand Symphony Orchestra |
Vesa-Matti Leppänen, Concertmaster of the NZSO was born and raised in Turku, Finland. After completing his studies at the Turku Conservatory and Sibelius Academy in Helsinki, Vesa-Matti Leppänen joined the Turku Philharmonic Orchestra, one of the oldest symphony orchestras in Europe. Over the following ten years he held a number of positions including Principal Second Violin, Third Concertmaster and Co-Concertmaster.
At only 16 years of age, Vesa-Matti Leppänen won the prestigious Heinonen National Violin Competition for young violinists and the same year joined Concordo String Quartet, which went on to win a special prize at the 1989 Tulindberg International String Quartet Competition. These successes helped him to develop an active stage career as both soloist and chamber musician.
Since moving to New Zealand in 2000, Vesa-Matti Leppänen has toured the country as NZSO Concertmaster, soloist and chamber musician, working alongside internationally renowned soloists such as Pinchas Zukerman, Hillary Hahn, Gautier Capucon, Freddy Kempf and Lang-Lang. Leppänen has also performed as a featured soloist with the New Zealand Symphony Orchestra, Auckland Philharmonia, Christchurch Symphony and Southern Sinfonia.
Vesa-Matti Leppänen led the NZSO on its European/Japanese Tour in 2005, which included an unforgettable performance at the BBC Proms and a solo performance of Takemitsu's 'Nostalghia' in Japan. He has also appeared as a guest Concertmaster for orchestras like the Melbourne Symphony Orchestra and Avanti! orchestra.
Vesa-Matti Leppänen is a featured artist with Naxos Records. His latest recording of Lyell Cresswell's work for violin and voice (with Madeleine Pierard) has won critical acclaim. He also teaches at the NZ School of Music and the Queenstown Violin Summer School and is a member of the jury for the Michael Hill International Violin Competition and the National Concerto Competition in Christchurch.
Vesa-Matti Leppänen performs on a Gennaro 'Januarius' Gagliano 1770 violin, on loan from Diessl Investments Ltd.
LEARN MORE ABOUT VESA-MATTI LEPPÄNEN @ NEW ZEALAND SYMPHONY ORCHESTRA.
Canadian-born violinist Lara St. John has been described as "something of a phenomenon" by The Strad and a “high-powered soloist” by the New York Times. 
Photo: Paul Clancy
She has performed as soloist with the orchestras of Cleveland, Philadelphia, Minnesota, Seattle, Brooklyn, Toronto, Montreal, Vancouver, the Boston Pops and many more in North America. In Europe, she has played with the Royal Philharmonic Orchestra, NDR Symphony (Hanover), Zurich Chamber Orchestra, Ensemble Orchestral de Paris, Bournemouth Symphony, and the Amsterdam Symphony, among others. In Asia, solo appearances have included the Hong Kong Symphony, Tokyo Symphony, China Philharmonic in Beijing, Guangzhou Symphony and the Shanghai Broadcasting Orchestra. Lara has also performed with the Queensland Orchestra in Australia and the Akbank Symphony in Turkey.
The Los Angeles Times has written, “St. John brings to the stage personal charisma, an unflagging musical imagination and genuine passion.” Recitals in major concert halls have included New York, Boston, San Francisco, Ravinia, Washington DC, Prague, Berlin, Toronto, Montreal, and in the Forbidden City.
Lara St. John’s recording with the Simón Bolívar Youth Orchestra of Venezuela and conductor Eduardo Marturet VIVALDI– The Four Seasons and Piazzolla – The Four Seasons of Buenos Aires reached No. 2 on the iTunes charts on its first day and Maestro José Antonio Abreu, the founder of the Simón Bolívar Youth Orchestra of Venezuela and El Sistema wrote of the recording: "This stunning recording features the extraordinary violinist Lara St. John. She and the musicians of the Simón Bolívar Youth Orchestra give an inspired performance under the baton of Eduardo Marturet." The Cleveland Plain Dealer said, “Lara St. John is as captivating in the seductive scenes of the Piazzolla as she is crisp, caressing and colorful in Vivaldi's atmospheric paeans to nature” and Audiophile Audition stated “Do we need another Four Seasons? With playing and sound like this, yes we do!”
Lara’s sixth recording, Hindson – Corigliano – Liszt/Kennedy/St. John was released in 2008 with the Royal Philharmonic Orchestra of London, featuring two world premiere works; the Matthew Hindson Violin Concerto and the Martin Kennedy/ St. John arrangement of Totentanz by Franz Liszt, as well as The Red Violin Suite by John Corigliano. In writing of his impressions of the recording, John Corigliano commented: “I'm thrilled to be included in a new recording by the brilliant and always surprising Lara St. John. She is a real maverick, as a performer and in her choice of repertoire. An opulent and virtuosic new violin concerto and my Red Violin suite are coupled with a newly arranged version of a 19th century pianistic tour de force in her latest stunning release.”
Lara's fifth recording, Bach: The Six Sonatas and Partitas for Violin Solo, described as "awe-inducing" by The Toronto Star, and “wild, idiosyncratic, and gripping” by the Los Angeles Times, was released in the autumn of 2007 where it climbed to No. 2 on the iTunes classical charts and was that year’s best selling double album on iTunes.
Her third recording, Bach: the Concerto Album appeared in the “strongly recommended” section of Gramophone, which stated, "It is difficult to argue with such a technically dazzling and unfailingly musical interpretation." In June of 2005 the recording was released on iTunes where it immediately reached No. 1 in the classical category. Lara has also recorded for Sony Classical.
Her debut CD, Bach: Works for Violin Solo, has sold over 50,000 copies and received resounding acclaim. The Chicago Tribune described Ms. St. John as having “superb technique and an irresistible vitality,” while US News and World Report called the recording “an exquisite performance.” Her second album, Gypsy, was described as “a sizzling display” by Gramophone, and The Strad called her "an electrifying player, as deeply satisfying in Bach as she is bewitchingly seductive in Waxman's Carmen Fantasy.”
She has been featured in People, US News and World Report, on CNN's Showbiz Today, NPR's All Things Considered, Fox News, CBC and a Bravo! Special: Live At the Rehearsal Hall.
The 2010-2011 concert season includes more than 45 performances in Australia, New Zealand, Singapore, Ireland, the United States and Canada as well as a concert in New York’s Central Park.
Lara began playing the violin when she was two years old. She made her first appearance as soloist with orchestra at age four, and her European debut with the Gulbenkian Orchestra in Lisbon when she was 10. She toured Spain, France, Portugal and Hungary at ages 12 and 13, entered the Curtis Institute at 13, and spent her first summer at Marlboro three years later. Her teachers have included Felix Galimir, David Takeno, and Joey Corpus.
She performs on the 1779 “Salabue” Guadagnini thanks to an anonymous donor and Heinl & Co. of Toronto.
Dr Robin Congreve (New Zealand) - Chairman of the Jury
Dr Congreve was for 10 years a partner in Russell McVeagh McKenzie Bartleet and has since then been a director of a number of public and private companies including Lion Nathan Ltd, BNZ, Comalco NZ Ltd and Tru-Test Ltd. He is a principal of Oceania & Eastern, a New Zealand private equity group and investor in NeuronZ, EndocrinZ and now Neuren.
Robin was the founding chairman of the Auckland Medical School Foundation and it was that interest that led to the formation of NeuronZ initially within Auckland University and to the subsequent development of both NeuronZ and EndocrinZ.
Dr Congreve is on the Art Gallery Foundation Board, Founder & Principal Donor of The Walters Prize, Governor of Arts Foundation, ex Chairman of the New Zealand Opera and Member of Museum of Modern Art and Tate International Councils.
Previous International Judges
As with the Preliminary Panel, previous International Judges are rotated from the "Judges Pool" to ensure, over the years, that a breadth of musical traditions and nationalities are represented. 2009 Competition 2007 Competition 2003 Competition 2001 Competition
Shmuel Ashkenasi, Israel
Pamela Frank, USA
Philippe Graffin, France
Dong-Suk Kang, Korea
Oleh Krysa, Ukriane/USA
Wilma Smith, NZ/Australia
Radoslaw Szulc, Poland/German
Pierre Amoyal, France/Switzerland
Justine Cormack, New Zealand
Pamela Frank, USA
Mark, Kaplan, USA
Hu Kun, China/UK
Boris Kuschnir, Russia/Austria
Dene Olding, Australia
Pierre Amoyal, France/Switzerland
Justine Cormack, New Zealand
Dong-Suk Kang, Korea
Mark Kaplan, USA
Paul Kantor, USA
Dene Olding, Australia
Krzysztof Wegrzyn, Poland/German
Pierre Amoyal, France/Switzerland
Justine Cormack, New Zealand
Miguel Harth-Bedoya, Peru/USA
Chad Smith, USA
Simon Morris, United Kingdom
Takako Nishizaki, Japan/Hong Kong
Dene Olding, Australia
Pierre Amoyal, France/Switzerland
Justine Cormack, New Zealand
Michael Danth, Germany/Australia
Rosemary Gent, United Kingdom
Miguel Harth-Bedoya, Peru/USA
Paul Kantor, USA
Takako Nishizaki, Japan/Hong Kong
